Social
and gender norms are in disorder throughout the entire play. Viola presented
herself to Orsino as a eunuch. Viola decision to disguise herself as Cesario
proves to be successful. Valentine tells
Viola “Cesario, you are like to be much advanced. He hath known you but three days, and already
you are no stranger” (1.4.2-4). Social and gender norms are in disorder during Maria’s
interactions with Sir Andrew. Maria speaks openly to Sir Toby about her
feelings toward Sir Andrew and says “he’s a fool” (1.3.27). I perceived Maria’s attitude in 1.3 as condescending
toward Sir Andrew. Gender roles also appear to be switched when Olivia asks
Sebastian (assumed to be Cesario) “nay, come, I prithee. Would thou’dst be
ruled by me!” and Sebastian responds “Madam, I will” (4.1.61-62).
Viola
had discovered Sebastian had not died in the wreck and is delighted. Order is
restored when Viola exposes her disguise. Luckily for Viola, Orsino felt
affection toward her. Orsino releases Viola as his servant and declares she is
“Your Master’s mistress” (5.1.320). Olivia
discovers she had married Sebastian instead of Viola. We observe that Olivia’s love is no longer
restricted by death of her brother and father. Malvolio does not have order
restored in his live. Malvolio is humiliated by everyone and declares: “I’ll be
revenged on the whole pack of you!” (5.1.373).
Sir
Andrew is discouraged that he will not gain Olivia as a wife. Sir Toby comforts
Sir Andrew and informs him “she’ll none o’ th’ Count. She’ll not match above
her degree, neither in estate, years, nor wit. I have heard her swear’t. Tut,
theres life in’t, man” (1.3.102-04). Maintaining social order is observed in Sir
Toby’s statement; Olivia will not break social rank, status, or age for
marriage. The most puzzling element of the play is that the 17th century gender
and social order still shocks 21st century American audiences.